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Recording Black Culture (Springfed)
It is also proof of Work's work, of the variety of vernacular musical styles afoot in black music at the edge of WWII. Some of Work's discs were donated to the Library of Congress (part of the transaction which brought him to Lomax's attention); these fourteen tracks came from the collection he held back, whether as educational tools or private pleasures cannot be said. Included are examples of black sacred harp singing, of blues, of work songs, of gospel quartets, etc. The Fairfield Four and a brief interview with Muddy Waters provide tentative handholds for contemporary listeners, but it is necessary to remember, no matter modern restorations, that these sides were recorded on modest equipment and well-used. The pity is that Work's efforts went poorly funded, and that there aren't hundreds of these sides, cut on much better gear. And that Work himself is such an obscure footnote. -- GRANT ALDEN |