« Two Goodbyes and One Hello | Main | Shameful self-promotion » A pacifist's battle
For the first months of our courtship, Susan and I had a semi-regular Wednesday night date at the fights. I still cannot guess quite why she came with me, but, for my part, I have nurtured a long affection for blood sport. A curious thing, that, for a pacifist. Often we sat near a young man we knew only as Bobby, who was always fashionably attired (one night in a stunning yellow and black outfit from Calvin Klein, another all red, white, and blue from a different designer). Once he interrupted a phone call to hold his cell over his heart during the national anthem; he would save seats for us if we were late, and ask after our absences. We went eagerly to this place neither of us belonged, fascinated…for a time. Don King had a record-improving promotion running at the Music City Mix Factory in downtown Nashville; one night we saw, for $15 at ringside, three former heavyweight champions fight: Oliver McCall, Michael Moorer, and, if memory serves, Greg Page. They were hardly competitive matches. Indeed, once we got to know the cast of regulars, none of the fights were in doubt, and so we found better ways to spend Wednesday night. Ultimately, the cards evaporated amid rumors that homeless guys were being paid to take a public beating. I would emphasize that those were rumors. I think I know enough about boxing to be confident that the average homeless guy wouldn't even have been credible as an opponent. One of the things one comes to appreciate at club fights is how much skill it takes even to be bad at fisticuffs, how much intelligence (yes) is required to play chess with your hands and feet while your face and belly are being beaten. Nevertheless, the fights were orchestrated by a canny matchmaker who wished to embellish the record of the boxers in his stable, and seemed unconcerned with offering them the slightest education these nights in the ring. A prosecutor friend was later horrified that we had ever been near the building, for they often served warrants there. There were always plenty of police at the door when the fights ended, and so we always felt safe returning to our cars before the dancing began. Oliver McCall was by far the most gifted fighter we saw. He is best known for having unexpectedly beaten Lennox Lewis (in Japan, I believe), and subsequently having lost the belt because he cried in the ring. We saw one of his comeback fights, and one or two others (apparently he fought five times in Nashville, and, at 41 continues to attempt comebacks). The first time he came into the ring, part of the audience saluted him “Crybaby! Crybaby! Crybaby!”, only there was a weird kind of pride in their voices. Such grace and beauty. And yet I am a pacifist, always have been, and can report with pride that I've never hit anybody in anger, though one or two elbows may have drifted while cutting through the key in my younger days. For any number of years - enough years that I have vague memories of seeing Haystack Calhoun and Chris Taylor at my grandparents' house in Merced - I have also been a fan of professional wrestling. This is harder to explain, perhaps, especially today. It was once a great carnival art form, before steroids and national TV. I can remember seeing glorious Dutch Savage matches from the Portland territory, and spent Christmas Eve with my brother in 1976 or 1977 watching Jimmy Snuka and Playboy Buddy Rose in a cage match, surrounded by people who we otherwise would never have seen except at DMV. The regulars knew it was faked, but the beauty of the art at center ring was that it didn't matter, for the knowing did not staunch the cry for blood. And, yes, there was terror and revulsion in that appetite. I have always been a little bit detached, and sometimes it's a blessing. But that was hardly the last match I've attended. Still, the artform has declined badly. The last match I attended, in Nashville, was being taped for national TV. The pyro failed and so, later, the wrestlers came back out and did a second take of the whole bit. The audience, I guess, was glad to be in the know and cared not at all for their part in the deception. Still, when the camera work (or, rather, the direction) is so bad that you can see blows that didn't land, and when the skill most in demand is a willingness to take punishment rather than the difficult and time-consuming grappling and gymnastic skills of the old legends, my attention wanes. Which, at last, brings me to the Ultimate Fighting Championships. As best I can tell from a brief internet search, the UFC is simply the most visible U.S. version of mixed martial arts combat. In addition to its pay-per-view battles in a wire octagon (which sounds more brutal than it is; well, no, it doesn't) the UFC has spawned a reality show on Spike with a houseful of aspirants. Years ago I saw an early UFC, perhaps the third contest they held, and was horrified. And somewhat entranced. UFC was formed to do two things: To promote the Gracie school of jiu-jitsu, whose leading exponent is, at 180 pounds, a legend; and to answer the question, Which form of hand-to-hand combat is most effective. Those first matches were brutal affairs, mismatches of size and discipline. As the Gracie school dominated those early affairs, a particular mix of skills and approaches proved to work, a balance between grappling and striking techniques. Royce Gracie's 13-3-3 record would hardly get him ranked in boxing; he's in the UFC hall of fame, and deservedly so. (At least presuming the sport has been around long enough to warrant a hall of fame.) And, yes, it's a sport. Not a guilty pleasure, nor something I expect my wife to enjoy with me, but a sport nevertheless. The men who do battle in this (and various other mixed martial arts) promotion are phenomenally gifted and driven athletes. The ability to think through the endlessly complex variations of hand-to-hand combat - while somebody is trying to choke you or beat you senseless with his elbows, or break one of your limbs - fascinates me. Not because of its violence, but because of the focus required. That focus is precious to me. It happens sometimes when writing, occasionally when designing; used to happen when I was young and lifting weights or running the floor. It blocks everything else out, that focus does, and means that when Susan comes in to tell me dinner's ready I will jump from my chair, though she makes no attempt to be quiet. When it's over, and UFC matches rarely go to decision, the two men who seemed hell-bent on killing each other embrace in what I take to be the ultimate gesture of respect. Now…how do I reconcile this with pacifism? I don't, not yet. That's why I started to write this, and, again, I have failed. Posted by grant on June 13, 2006 2:09 PM | Permalink TrackBackTrackBack URL for this entry: |
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